Tuesday, 12 June 2007

Homage: Life on the Street


I was recently in Paris with my old friend Mark and we’d stopped to admire the Porte St. Denis. “That’s a cool fucking view” he observed, with his back to the Porte. “That IS a cool fucking view, Marky-Boy, you’re right”, I responded, quite taken by the vista across the street. I photographed it so I could draw it later, but it rang a bell, I’d seen it before. Anyway when I was about halfway through drawing it a lightbulb appeared above my head and I was like, “Shit” and reached for an Adèle Blanc-Sec book by Jacques Tardi, and sure enough, the endpapers are of the same street, albeit from a different angle. Tardi’s one of my all time favourite cartoonists, and a huge influence, sometimes (ie whenever I’m drawing Paris), too obvious an influence (note to self: next book title: "Wolverhampton"). So I was a little deflated to be emersed in a drawing that would only ram home this fact, but finished it nonetheless.

I drew the couple at the bottom left because my heart always twangs when I see elderly couples holding hands. But kids though... I’ll tell you what happened to me on Sunday. I was walking past a few of the little fuckers and one said “Hello, what’s your name?”. I told him and asked what his was. It was Solomon, which I rightly told him was a great name. He was a cute little thing and before you knew it I had this group of sprogs between the ages of 3 and 6 all chatting to me, asking me if I’d vandalised the nearby telephone box and explaining that they were waiting for the cops to arrive. That was the gist, but it was a bit confusing to be honest. It was kind of like a crack-addicted Red Hand Gang in retrospect. Anyway, it was getting tiresome and our adventure was almost over, so I continued on my way only to hear one of the girls holler “Where do you live?” and as I looked around Solomon shouted “We’re going to burgle your fucking house!”. I thought I should share that incase you thought *Mark’s* language was bad.

Monday, 11 June 2007

Irritating description of work process


Here's a panel from the Paris prologue. I started by drawing the man and child at the bottom and worked my way up until the page was full, inking the parts as I went along. That's how I approached all of the splash pages in the book. This way it stayed interesting and meant I didn't haveta map it all out in one go, settle on character types, props and so on. It's not an aerial shot, the figures are just stacked on top of each other, sat at tilted table tops to imply a high view. The good thing about discarding perspective and proportion is that if you fuck up, you can say it was deliberate, and even give reasons why. Um, notice how Juliet is bigger than the other figures because she's the star of the book...? Clever, eh?

Saturday, 9 June 2007

Hello friends...


... and welcome to my blog! I’ll post artwork from the comic book projects I’m working on, such as the upcoming DC/Vertigo series I’m pencilling, the SLG Publishing Paris trade paperback and anything else that springs to mind.

For now, here’s the cover to Paris, out in August. It’s 144 pages, written by Andi Watson and drawn by me. It’s been a title so close to my heart I didn’t want it to end, so persauded Andi to pen a new 12 page prologue. For a sample of that, as well as the press release, please click here.

Okay, let’s see if I can get this blogging business to work. If anyone has any advice on the subject, please feel free to let me know, I’m hoping to relieve Jonathan Edwards of his technical support role before I drive him nuts.