Splash page

...from Vinyl Underground 4.

Why the sky is blue

Tom Spurgeon at The Comics Reporter kindly interviews me about Paris here. I'm looking forward to reading the other interviews he'll be posting over the festive season. Anyway, here's *yet another* pic from the book, one of the "extras". Paulette starting the day with a good solid breakfast.
Also, my sincere apologies to anyone who's inadvertently come here in search of the origin of Rudolf's red nose (but thank you for staying longer than comic fans do), especially if you're a young 'un. Kids, I promise you that Santa doesn't look like he does in those images.

He actually looks like this:

Rudolf's red nose explained

Old pics for Metal Hammer to get you feeling Christmassy.

Ball Tampering

W.G. Grace, who according to folklore once stood his ground having been given out, saying "They came to watch me play, not you umpire". I was gonna put it on the back cover of Paris issue 3, but in the end didn't. I did actually draw the ball too, but seem to have misplaced it. There he is again, on the wall:

"Bloody kids"

Unused Paris related pics.

Femi from Vinyl Underground issue 3...

... slipping on a bar of soap. Inks by Cameron Stewart, colours by Guy Major.

Thrilling Competition

Here's a little bit of good-natured fun. The first 2 people to post the correct answer in the comments win a Vapid t-shirt, details of which are here. If you're one of the 2 winners, simply email me your postal address, wherever you may be, and specify the shirt type and size you want me to send you. As with all the images on this blog, click to enlarge if required.

If no one responds I'll be really upset, but you know, don't enter if you don't really want a shirt either, it is winter afterall.

Anyway, that competition was originally drawn 14 years ago, depressingly. Here's another old thing. The moral: at least he tried. Hmm, but look at the panel borders, they almost look deliberately wonky (but they're not).

Give To The Paw

Sketches for Bath Cats and Dogs Home, celebrating its 70th birthday and in need of financial support and dog walkers.

Slow News Day

I think Paris is out today, but I don't know.Also available to buy is the brand new edition of Andi's masterful Slow News Day, again published by SLG. And check it out - I'm lucky enough to own the original of this page from it. Pure class:

Unreadable Palms

Some more panels from the Mark Twain adaptation. The first is a view of Menton, on the Côte d'Azur. It so happened that I camped there shortly before commencing this story, in a beautiful orchard above the town. As soon as we arrived at our pitch some ripe fruit or other fell from a tree directly onto my head, allowing a nearby Dutch family to have a great chuckle at my expense. Which is fine.*
*As luck would have it, a night spent sampling the regions' rosé and the snoring that allegedly followed, would inadvertently redress the balance.

Lucky Millet...

A panel from Is He Living Or Is He Dead?, a strip I drew in '03 for Graphic Classics: Mark Twain. It's being reprinted in a revamped volume available on December 1st and features 36 whole pages of Rick Geary greatness.

The Pillage People

Paris is hopefully out next week, not this, as I incorrectly stated. Here's a panel from it. I'd like one of those hard boiled egg holders you see in French cafes. Infact I'd like two, the second would be ideal for displaying plums, lemons and other mid-sized fruits.
Staying with the continental theme, here are a couple of strips I've drawn for Metal Hammer, scripted by their managing editor, Alex. I don't know what Turisas sound like, but as you'll see, they dress as Vikings, complete with warpaint, swords, axes and so on. Not the most sensible group to parody, in retrospect.

ROM!

A drawing for Portland's Floating World comic store. I'm intrigued by Portland, how come so many cartoonists live there? Anyway, they're organising an exhibition and comic in honour of Rom, or more specifically, the writer of that series and others, Bill Mantlo. The original drawing, as well as tributes by loads of other cartoonists far better than me, will be available to buy from Floating World and proceeds go to Bill and his bro. Details here.

I wanted the focus to be on Bill's writing rather than simply the visual nature of the character, hence this take on the final scene of the final issue.

An old pic...

...of a woman with a disturbing E.T.-shaped head.

Paris drawings

Opening pages from the Paris book, which I believe is in stores next Wednesday, October 24th.

Ugh, and a thankfully never-to-be-seen image of one of the characters from it:

Ikea sketch

Or: a Metal Hammer picture. I gave them all axes because they're more fun to draw than swords, and fittingly, the axe is of course a rock term for the ol' guitar. Don't know why I drew drunk giraffes in the background, though.
An accompanying image:

Inner City Lollypop Lady

One of a few illos for a Metal Hammer feature. He's from a full page picture I'll post once (if!) approved.

Look into my eyes...

...the eyes, the eyes, look into my eyes...

You *will* buy my t-shirts...
...nnnnnnn-yaARGH!

>pant pant<...

Don't then.

!

Yesterday I was gonna write that I'd managed to complete eleven pages of the Conan Doyle strip in a week (productive for me, admittedly not for some others), thanks in part to drawing it whilst fast punk music played (and having no life, natch), but I thought that sounded dumb. THEN I happen across this wonderful video of Manu Larcenet, one of my favourite current comic artists, demonstrating the very same thing. Weird, huh?

Contrastingly, this panel took two (long) Neurosis tracks to draw and the rest of the album to tweak and tone. The struggle continues.

Phew...

...finished the Conan Doyle adaptation. A few more panels from it: